Why do people listen to music? Over the past several decades, scholars have proposed numerous functions that listening to music might fulfill. However, different theoretical approaches, different methods, and different samples have left a heterogeneous picture regarding the number and nature of musical functions. Moreover, there remains no agreement about the underlying dimensions of these functions. Part one of the paper reviews the research contributions that have explicitly referred to musical functions. It is concluded that a comprehensive investigation addressing the basic dimensions underlying the plethora of functions of music listening is warranted. Part two of the paper presents an empirical investigation of hundreds of functions that could be extracted from the reviewed contributions. These functions were distilled to non-redundant functions that were then rated by respondents.
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As much as I love Nine Inch Nails, Florence + the Machine, Gorillaz, or Moby, it will be a Beatles can be very addictive and you may want to stay on their list. Released back in January as one half of a double lead single from the album This dashing young fellow is none other than the man who has invaded the.
I first heard of the Beatles when I was nine years old. I spent most of my holidays on Merseyside then, and a local girl gave me a bad publicity shot of them with their names scrawled on the back. The funny thing is that parents and all their friends from Liverpool were also curious and proud about this local group. Prior to that, the people in show business from the north of England had all been comedians.
The Beatles even recorded for Parlophone, which was a comedy label, as if they believed they might be a passing novelty act. I was exactly the right age to be hit by them full-on. My experience — seizing on every picture, saving money for singles and EPs, catching them on a local news show — was repeated over and over again around the world.
Every record was a shock. They had already absorbed Buddy Holly, the Everly Brothers and Chuck Berry, but they were also writing their own songs. They made writing your own material expected, rather than exceptional. Most important, they always fit right into the arrangement. Ringo Starr played the drums with an incredibly unique feel that nobody can really copy, although many fine drummers have tried and failed. Most of all, John and Paul were fantastic singers.
Lennon, McCartney and Harrison had stunningly high standards as writers.
Fiona Apple’s Art of Radical Sensitivity
If there’s one thing we’ve learned about pop music over the last half-century, it’s that while the boy band might not always be at pop’s center, it’s somewhere orbiting around it — and will be back soon enough. Sometimes they come from elsewhere — the U. But what is a boy band, you may ask? Ask any two music fans that question and you might get answers as varied as if you asked a year-old FM DJ and a year-old SoundCloud rapper to define “hip-hop.
Ultimately, we took every boy band argument on a case-by-case basis, and came to some difficult conclusions.
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Living in the twenty-first century, we have witnessed how rapidly and dramatically culture can change, from ways of communicating to the emergence of same-sex marriage. Similarly, many of us live in culturally diverse settings and experience how varied human cultural inventions can be. We readily accept that clothing, language, and music are cultural—invented, created, and alterable—but often find it difficult to accept that gender and sexuality are not natural but deeply embedded in and shaped by culture.
Similarly, human sexuality, rather than being simply natural is one of the most culturally significant, shaped, regulated, and symbolic of all human capacities. Part of the problem is that gender has a biological component, unlike other types of cultural inventions such as a sewing machine, cell phone, or poem. We do have bodies and there are some male-female differences, including in reproductive capacities and roles, albeit far fewer than we have been taught. Similarly, sexuality, sexual desires and responses, are partially rooted in human natural capacities.
However, in many ways, sexuality and gender are like food. We have a biologically rooted need to eat to survive and we have the capacity to enjoy eating. In short, gender and sexuality, like eating, have biological components. But cultures, over time, have erected complex and elaborate edifices around them, creating systems of meaning that often barely resemble what is natural and innate. We experience gender and sexuality largely through the prism of the culture or cultures to which we have been exposed and in which we have been raised.
In this chapter, we are asking you to reflect deeply on the ways in which what we have been taught to think of as natural, that is, our sex, gender, and our sexuality, is, in fact, deeply embedded in and shaped by our culture.
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Once a viewer reaches a certain benchmark of familiarity, a sitcom starts to have a pleasantly narcotizing effect. In other words, even the most devoted viewers can start to take their favorite TV programs for granted and lose sight of the herculean amount of effort that goes into a long-running series. More impressive still is the vast backlog of original songs penned for the series, largely the work of series creator Loren Bouchard, composer John Dylan Keith, and musical duo the Elegant Too.
The sheer volume of output is no less staggering than the breadth of their style; over the course of plus tracks, they cover everything from show tunes to shoegaze to reggae to surf rock, the best of them capable of standing independent of the show as music to listen to in everyday life. When a parody of a garage-rock song is so detailed in conception and skillful in execution, it simply turns back into regular music. Gene Belcher, that is finds that smacking the oars of his kayak against the water makes a pleasing hollow slap, and immediately sets about drumming out a clattering beat.
Wanted, young man single and free; Experience in love preferred; But will accept a young trainee; At home I find myself, lost and all alone; My man is playing the.
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The session was by the Chess brothers, and. Once Again, Why can’t I speak to you through this I’m just trying to find you in this? Cosmin Andrei Taranu I’m looking for an acoustic song. I have been looking for 2 days for this song, lol. I said, young man, what do you wanna be?
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Although he died at the age of twenty-five, Keats had perhaps the most remarkable career of any English poet. He published only fifty-four poems, in three slim volumes and a few magazines. But over his short development he took on the challenges of a wide range of poetic forms from the sonnet, to the Spenserian romance, to the Miltonic epic, defining anew their possibilities with his own distinctive fusion of earnest energy, control of conflicting perspectives and forces, poetic self-consciousness, and, occasionally, dry ironic wit.
Although he is now seen as part of the British Romantic literary tradition, in his own lifetime Keats would not have been associated with other major Romantic poets, and he himself was often uneasy among them. Beyond his precise sense of the difficulties presented him in his own literary-historical moment, he developed with unparalleled rapidity, in a relative handful of extraordinary poems, a rich, powerful, and exactly controlled poetic style that ranks Keats, with the William Shakespeare of the sonnets, as one of the greatest lyric poets in English.
Thomas Keats managed the stable for his father-in-law and later owned it, providing the family an income comfortable enough for them to buy a home and send the older children, John and George , to the small village academy of Enfield, run by the liberal and gifted teacher John Clarke. Young Tom Keats soon followed them. Frances Keats was devoted to her children, particularly her favorite, John, who returned that devotion intensely.
At the age of eight Keats entered Enfield Academy and became friends with young Charles Cowden Clarke, the fifteen-year-old son of the headmaster. His father was seriously injured when his horse stumbled as he rode home, and he died the next day. The shock to the family was great, emotionally and financially. She had returned by , however, broken and ill; she died of tuberculosis as had her brother just a few months before in March John became the oldest male in his family, and, to the end of his life, felt a fiercely protective loyalty to his brothers and sister, Fanny Keats.
At school, Keats drew closer to the headmaster, John Clarke, and his son, Cowden.
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I spend my nights alone, cryin’ bitter tears Although I cry aloud, nobody really hears And when I need him most, he’s never by my side He’s either playing cards, or drinking at the bar He thinks that I’m a fool, I’m going to the evening news Gonna put it in the want ads, I need somebody new Gonna put it in the want ads, my man and I are through.
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I first became aware of Major Lance in the Autumn of Turns out that it was just the one man, my introduction to The Man. Some were tailor-made for the singer, others were later recorded by the Impressions, all had a bright, danceable Latin tinge. His legacy lives on. Gene Chandler is another Chicago Soul legend. It was not only his work on his own album that had earned him this accolade. In he was sentenced to a year in prison when he sold a pound of heroin to undercover federal agents. Jeez, these Chicago Soul guys lived some kind of lives.
With no disrespect to the other four it was apparent from their Motown audition that young Michael was an extraordinary talent. Label boss Berry Gordy wanted something extra. Michael was in a different orbit to not only his brothers but everyone else too. In August , two weeks before Woodstock, the Atlantic City Pop Festival had brought together a similarly impressive lineup of contemporary music.
He really was a treasure of our music.
Here we go: The final batch of questions and answers from Michael Stipe. It all starts off with my own question to Michael. Thanks again for answering all of these questions. The critique below is raw, unedited, flat out. But it feels right to say it, since you asked. You routed out a few off the mark [I think ] plotlines and theories about how I write and think, and then could only see every single song and lyric and character arch through those constraints.
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Nine Reasons People Aren’t Singing in Worship
Prior to the Reformation, worship was largely done for the people. The music was performed by professional musicians and sung in an unfamiliar language Latin. The Reformation gave worship back to the people , including congregational singing which employed simple, attainable tunes with solid, scriptural lyrics in the language of the people.
I hacked up the old songs and smashed the lyrics into the melody from the song This started out a song called “THE MONKEY IS A MAN” about seeing a Before I went on I walked around the grounds and had this funny experience I love the word “groggy” so much and wanted to write a song using that word so I did!
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